A posture comparison whose identities, episodes and meanings need untangling.
0 selected records · 2 intake leads. Membership records a resemblance; it does not establish common origin.
The identification queue
Leads worth following.
Preserved claims and images, awaiting the checks needed for object records.
Identification open · claim
Yingarna, bags and creation
The archive identifies the Injalak Hill painting and reports scholarship placing it among recent, post-contact paintings. It cannot be assigned the pillar’s Neolithic age.
Images, source check & next step
Yingarna painting at Injalak Hill; bags and creation narrative are part of the comparison. Supplied archive; see original image register. Underlying rights unresolved; reproduced for commentary.
Next: Follow the local interpretation and earliest documentation; separate the painting’s age from the age of the tradition.
The excavation description treats the squatting figure as a later graffito. Two Australian paintings remain unidentified; “birthing” is a proposed interpretation.
Images, source check & next step
Fenton’s comparison of squatting figures and a Rainbow Serpent painting. Supplied archive; see original image register. Underlying rights unresolved; reproduced for commentary.
Next: Identify and date each depicted surface independently.
